A nota fundamental: escuta musical e escuta psicanalítica

Ignácio Gerber

doi:10.60106/rsbppa.v11i1.307

The fundamental note

musical and psychoanalytic listening

Authors

Ignácio Gerber Sociedade Brasileira de Psicanálise de São Paulo

DOI:

https://doi.org/10.60106/rsbppa.v11i1.307

Keywords:

Listening, Music, Unconscious

Abstract

As occurs with dreams, Psychoanalysis and music are the royal roads to our Unconscious. The id, the early unrepressed unconscious, is governed by the contradictory and infinite logic of emotions; a practical exercise is proposed in this study for capturing the unconscious through music and psychoanalysis .

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Author Biography

Ignácio Gerber, Sociedade Brasileira de Psicanálise de São Paulo

Membro Efetivo da Sociedade Brasileira de Psicanálise de São Paulo.

References

BION, W. R. Attention and Interpretation. London: Tavistock Pubilcations, 1970.

KOELLREUTER, H. J. Fundamentos de um Novo Pensar Musical. Apostila não-publicada.

MATTE-BLANCO, I. The Unconscious as Infinite Sets. London: Routletge, 1975.

STRACHEY, James (Ed.). The Standard Edition of the Complete Psychological Works of Sigmund Freud. London: Hogarth, 1966. v. I.

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Published

2009-05-18

How to Cite

Gerber, I. (2009). The fundamental note: musical and psychoanalytic listening. Psicanálise - Revista Da Sociedade Brasileira De Psicanálise De Porto Alegre, 11(1), 105–115. https://doi.org/10.60106/rsbppa.v11i1.307

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Issue

Vol. 11 No. 1 (2009)

Section

Articles/Essays/Meditations

License

I attribute the copyrights that belong to me, on this work, to SBPdePA, which may use and publish it by the means it deems appropriate, including on the Internet or in any other computer processing.