Reflections about photography and psychoanalysis – between thevisible and the unspeakable of a scene
DOI:
https://doi.org/10.60106/rsbppa.v15i2.510Keywords:
Photography, Thing-presentation, Word-presentation, UnconsciousAbstract
This paper discusses the interplay between photography and psychoanalysis. By assessing what is not seen by the photographer, but that which actually happens in the scene and is captured by his/her lenses, the author raises some questions about the psychoanalytic process, in which the analyst, establishing some communication between unconscious phenomena, captures, by his/her unconscious, that which could not be otherwise spoken by the patient for being unspeakable.
Downloads
References
BARANGER, M. La mente del analista: de la escucha a la interpretación. Revista dePsicoanálisis, XLIX, n. 2, 1992.
BARTHES, R. A câmara clara. Rio de Janeiro: Nova Fronteira, 1980.
BENJAMIN, W. Pequena história da fotografia (1931). In: BENJAMIN, W. Obras Escolhidas.Magia e técnica, arte e política. São Paulo: Brasiliense, 2012. p. 97-115.
FREUD, S. (1900). A interpretação dos sonhos. In: FREUD, S. Obras Completas. Rio de Janeiro: Imago, 1987. v.V.
______. (1915). Os instintos e suas vicissitudes. In: FREUD, S. Obras Completas. Rio de Janeiro: Imago, 1987. v.XIV.
GREEN, A. Conferências brasileiras de André Green – Metapsicologia dos limites. Rio de Janeiro: Imago, 1990.
LACAN, J. O seminário, livro 11 – Os quatro conceitos fundamentais da psicanáli-se. Rio de Janeiro: Jorge Zahar, 1998.
SONTAG, S. Sobre fotografia. São Paulo: Cia das Letras, 2004.
Downloads
Published
How to Cite
Issue
Section
License
I attribute the copyrights that belong to me, on this work, to SBPdePA, which may use and publish it by the means it deems appropriate, including on the Internet or in any other computer processing.